Water from the Rock Chuck King
Reviewed by Evan Levine
Water from the Rock
Artist: Chuck King
Produced by Rockwater Music Inc.
Release Date: September 2006
13 tracks
"Impressive," that is the word that first comes to mind upon hearing Chuck King's "Water From The Rock." In the Messianic genre especially, and in some Christian music, production quality has more often than not lagged behind that of our contemporaries. This is due in large part to financial considerations and limitations. Chuck King however, has blown that stereotype out of the water. This is perhaps the best produced Messianic/Christian album I have ever heard. The best influences of King's studies of music and drama at Oklahoma Baptist University are all in play here. These songs would be perfectly at home in an epic Disney movie; think "Prince of Egypt" and you will be very close to grasping the type and the scope of sound accomplished on "Water From The Rock." Several of the songs feature full choral arrangements as a backdrop for Chuck's vocals, which are in the vein of the classic Broadway singers, and very strong. These are paired with dynamic instrumentation, and accompanied by spot on rhythm tracks. With the compositions being quite theatrical in nature, this is sure to be a new favorite with worship dance teams everywhere. The production team stars on this album, but King, the writer of all 13 tracks, is not outshone. From top to bottom, from the packaging to the mastering, this album is first class. I was unfamiliar with Chuck King when I received this CD, but a quick perusal of his website, www.chuckking.org attests that King's family has indeed invested their lives in Israel. King is currently the Director of Musical Activities for the International Christian Embassy Jerusalem and the Worship Leader at King of King's Assembly, one of Israel's largest congregations.
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Songs of Passover Azuza
Reviewed by Chad Elliott
Release date: 2006
Price: $9.99
Azuza Music Production, Inc.
834 Kamchatka Court
Apopka, FL 32712
If you’re looking for groundbreaking
work that will change
the face of Messianic music
forever, you will not find it on
Azuza’s “Songs of Passover,” the
debut album from this Apopka,
Florida trio (Bryan Wong on
bass guitar/vocals, Beth Wong on
rhythm guitar/vocals, and Lee
Underwood on lead guitar/vocals).
What you will find is some solid,
Scripturally-based lyrics, and the
obvious love and enthusiasm
that the trio has for what they
are doing. According to the band
website, www.azuza.org, Azuza
fuses sounds from “contemporary,
rock, jazz, and blues to create
a unique sound for praise and
worship.” While all those sounds
are present, the uniqueness of the
band’s sound can be argued. In
fact, Azuza rarely seems to wander
outside the musical box into which
most Messianic music these days
fits itself.
“Songs of Passover” contains
only four traditional and familiar
Passover songs, and other artists
have performed each of them
better. Best advice? Focus on
the nine original songs, which
definitely fit the bill of praise
and worship music. Skillfully
weaving together themes of
awe and gratitude, these songs
proclaim the salvation and
provision of the L-rd. Some
judicious use of synthesizers
in the background pays off, as
evidenced by the trumpet on
“Rejoice” and “The Horse and
Rider,” which is also the most
upbeat and interesting track on
the album.
“Songs of Passover” is marred
by some poor production
values, which on some tracks
creates a muddy swamp of
sound out of which the male
voices in particular struggle to
get free.
The shame of it is that there
are some truly interesting
harmonies on tracks such as
“Sing to the L-rd,” and it’s just
impossible to appreciate them
because of the sound quality.
The same murky sound,
as well as the over-use of
reverb throughout the album,
diminishes some more-thancompetent
bass guitar by
Bryan Wong, and stifles the
really nice lead guitar work by
Lee Underwood, particularly
on “Prepare The Way,” and
“The L-rd Reigns as King,” the
one rocker on the album.
Azuza is a band with some
potential, which unfortunately
did not get fulfilled on this
album. There are signs that
they are moving towards
fulfilling that potential on
their second album…but
that’s a review for another
day.
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