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Water From One Rock Water from the Rock
Chuck King

Reviewed by Evan Levine

Water from the Rock
Artist: Chuck King
Produced by Rockwater Music Inc.
Release Date: September 2006
13 tracks

"Impressive," that is the word that first comes to mind upon hearing Chuck King's "Water From The Rock." In the Messianic genre especially, and in some Christian music, production quality has more often than not lagged behind that of our contemporaries. This is due in large part to financial considerations and limitations. Chuck King however, has blown that stereotype out of the water. This is perhaps the best produced Messianic/Christian album I have ever heard. The best influences of King's studies of music and drama at Oklahoma Baptist University are all in play here. These songs would be perfectly at home in an epic Disney movie; think "Prince of Egypt" and you will be very close to grasping the type and the scope of sound accomplished on "Water From The Rock." Several of the songs feature full choral arrangements as a backdrop for Chuck's vocals, which are in the vein of the classic Broadway singers, and very strong. These are paired with dynamic instrumentation, and accompanied by spot on rhythm tracks. With the compositions being quite theatrical in nature, this is sure to be a new favorite with worship dance teams everywhere. The production team stars on this album, but King, the writer of all 13 tracks, is not outshone. From top to bottom, from the packaging to the mastering, this album is first class. I was unfamiliar with Chuck King when I received this CD, but a quick perusal of his website, www.chuckking.org attests that King's family has indeed invested their lives in Israel. King is currently the Director of Musical Activities for the International Christian Embassy Jerusalem and the Worship Leader at King of King's Assembly, one of Israel's largest congregations.


Songs of Passover Songs of Passover
Azuza

Reviewed by Chad Elliott

Release date: 2006
Price: $9.99
Azuza Music Production, Inc.
834 Kamchatka Court
Apopka, FL 32712

If you’re looking for groundbreaking work that will change the face of Messianic music forever, you will not find it on Azuza’s “Songs of Passover,” the debut album from this Apopka, Florida trio (Bryan Wong on bass guitar/vocals, Beth Wong on rhythm guitar/vocals, and Lee Underwood on lead guitar/vocals). What you will find is some solid, Scripturally-based lyrics, and the obvious love and enthusiasm that the trio has for what they are doing. According to the band website, www.azuza.org, Azuza fuses sounds from “contemporary, rock, jazz, and blues to create a unique sound for praise and worship.” While all those sounds are present, the uniqueness of the band’s sound can be argued. In fact, Azuza rarely seems to wander outside the musical box into which most Messianic music these days fits itself.

“Songs of Passover” contains only four traditional and familiar Passover songs, and other artists have performed each of them better. Best advice? Focus on the nine original songs, which definitely fit the bill of praise and worship music. Skillfully weaving together themes of awe and gratitude, these songs proclaim the salvation and provision of the L-rd. Some judicious use of synthesizers in the background pays off, as evidenced by the trumpet on “Rejoice” and “The Horse and Rider,” which is also the most upbeat and interesting track on the album.

“Songs of Passover” is marred by some poor production values, which on some tracks creates a muddy swamp of sound out of which the male voices in particular struggle to get free.

The shame of it is that there are some truly interesting harmonies on tracks such as “Sing to the L-rd,” and it’s just impossible to appreciate them because of the sound quality. The same murky sound, as well as the over-use of reverb throughout the album, diminishes some more-thancompetent bass guitar by Bryan Wong, and stifles the really nice lead guitar work by Lee Underwood, particularly on “Prepare The Way,” and “The L-rd Reigns as King,” the one rocker on the album.

Azuza is a band with some potential, which unfortunately did not get fulfilled on this album. There are signs that they are moving towards fulfilling that potential on their second album…but that’s a review for another day.

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